Ka Grief Pedigree Zip
Grief Pedigree, an album by Ka on Spotify. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and our services.
On “Day 811,” Ka spits, “ When you’re raised around rage and vengeance/ You can change, but in your veins remains major remnants.” It’s the type of rhyme that, coming from someone else, might be used to put an exclamation point on an entire song, an “Oh shit!” moment typically reserved for the end of a track. From Ka, it’s bars 13 and 14 of a 24-bar verse. Countless wordsmiths have compared the act of writing to that of solving a puzzle, as if each line of every verse and each word of every line has a pre-determined shape and placement, and it’s the author’s job to dig through his or her language to find the pieces with the perfect fit. When the puzzle is complete, the observer can’t see from afar the edges of the pieces sticking out or fitting together. We can’t see how the puzzle was constructed or that it’s a puzzle at all, for that matter.
Ka Grief Pedigree Zippy
All we can see is the image it was always meant to display. One could envision such a case with Days With Dr. Yen Lo, a work of art that feels fully realized on every level, from the Bigavelian harmonization of each seamlessly stacked Ka ad lib to the mix-mastery of each precisely-pitched Preservation sample.
This contrasts notably from Ka’s, which, though also best understood and experienced as a complete work, is still one with an exposed skeleton. As Aesop Rock wrote of the sophomore album, “The record sounds like a guy going through old records in his room and piecing together eerie loops to zone out to. You can really hear the process in there as much as you can hear the finished product” What Days With Dr. Yen Lo may lack in transparency it gains in cohesion and solidity. Pinball hall of fame crave. (This also sets it apart from, which though more sonically diverse than Grief Pedigree, feels conceptually loose by comparison.) Here, there are no cracks in Ka’s iron works. His is a well-oiled killing machine. Given Ka’s ability to create complex bars that sound inherently natural, it’s hard to focus on any one line for long.
So, when he says, for example, “ My work per diem is Herculean/ To stay right in the daylight search the PM” on “Day 22,” you’d have to be excused for missing the second- and third-layer meanings, even on your second or third listen. And that’s also because the audio-hypnosis brought on by Ka’s meticulously crafted multis and Preservation’s economically elaborate disco-drone is an element of both cause and effect — production and product. It sends you to the zone from which it came. With this in mind, the album’s Manchurian Candidate motif speaks not only to the brutal indoctrination of America’s working class through institutionalized cycles of crime, “rehabilitation,” and poverty, but to the cold, methodical practice of writing songs that blow your fucking brains out the back of your skull.
A how-to manual coded in appropriated propaganda, Days With Dr. Yen Lo challenges Ka’s followers to not only read between the lines of hip-hop’s collective subconscious, but to also color outside of them. Day 912 More about:,.
Ka Grief Pedigree Zip Form
After Ka released sophomore album Grief Pedigree to widespread acclaim in 2012, the DIY emcee/producer/cover artist/music video director gave a number of interviews in which he stated that he works very slowly, dedicating meticulous attention to each aspect of every project. In one, he proclaims his desire to be “the hip-hop version of Sade” before going on to state, “I craft my music, it takes a long time. I do it and I think it aint right and do it again, and again.
I’m looking for perfect rhymes.” Indeed, there’d been four years in between Iron Works and its follow-up, so it came as quite the shock when Ka announced a few months ago via Twitter that his third album, The Night’s Gambit, would arrive July 13, 2013. One week after the release date, anybody who’s half as serious about listening to music as Ka is about making it still isn’t quite ready to deliver any definitive remarks about the album other than the obvious: the rhymes are ill, and the beats, also ill, evince that Ka’s sample palate has developed along with his skills and confidence as a producer. One still-forming idea I’ll bring early to the discussion relates to the album title itself and the entire chess concept, which runs throughout via dialogue lifted from and. It could be that this concept is not a concept at all, that it is merely a device tacked on at the last minute to add a final sense of cohesion to the completed work, but knowing how Ka operates, that is not likely the case.
Consider that chess imagery was previously employed by, particularly, who dedicated an entire album to the topic with 2005’s Grandmasters and owns the distinction of being the first universally respected MC to publicly cosign Ka, having featured him on off 2008’s Pro-Tools. On that very track, Ka spits, “ Fuck that queen, I’ll show you what a knight and a rook would do.” It seems he’s now making good on that promise. The Night’s Gambit is available for purchase on LP, CD or iTunes via. Stream it free via.